Sunday, September 11, 2011
Saturday, August 27, 2011
I had this thought after drinking cheap wine and beer…last night…
What do I know? Or think I know.
First things first. My body.
My body is made up of bones, blood, tissues, and organs. They are made up of cells. The cells are made up of things that I learned in my ninth grade biology class like the mitochondria and the nucleus. These cells contain my DNA, Deoxyribonucleic acid. This is something that makes my external features like my nose and my decently sized nostrils. DNA is also called genes, not like blue jeans like I thought before I turned nine. These genes decide the color of eyes and the size of ears. But they don’t look like eyes and ears. They're too small to be seen by eyeballs alone. Genes come from your parents. And for that reason, when you see someone with big ears and pink eyes, feel free to laugh, but please, blame the parents for fornicating and creating monsters.
I have genes. Like the hair falling out gene. Some day I will pass this unfortunate gene down to my children. I don’t know if I want children, but it’s what you’re supposed to do. You’re also supposed to get married
So the smallest unit is the cell, but what is a cell made out of, I guess atoms. Atoms have nuclei too. Atoms are protons, neutrons, and electrons, and they float around each other in some way or another. So is there anything smaller than that? Is the universe as infinitely small as it is large?
I have toes and fingers. Sometimes I put my toes in socks and then into shoes. I put my fingers in all types of places, too. My favorite place to put my fingers is in a pussy. Pussies are warm. They feel good. I know that pussies feel good and are warm. I don’t have a pussy though, I just like them. I have a penis, which sometimes I put into pussies too. It’s better to have a penis than to have a pussy. Because penises are more than pussies, in a matter of substance. They are long and can be seen easier. They go in. Pussies get penetrated. I put, not receive. It really is a power thing.
I also have a heart. This heart pumps blood through my body, to all the different places that there are in the body like arms and legs and heads (and my penis when I see T&A). My heart also feels sad and love. My heart makes me feel bad for starving people in Africa, but not enough to do anything about it. My head stops such ideas. My heart also makes me feel love towards women that let me put my fingers in their pussies. Sometimes that’s bad. But sometimes it’s good.
My head makes me “think.” It makes me say jokes and other funny types of things. It also allows me to make ideas and try to make sense of the world around me. My head makes me understand when I am being lied to. But sometimes it takes a lot of “thinking” to realize that I am being lied to.
I realize, because of my head, that I am made of atoms, maybe something smaller, and that I know that I like to put my fingers in pussies. It sends signals to my fingertips and then my fingertips touch this keyboard, which more and more seems to be becoming another part of my body.
Monday, July 18, 2011
Sunday, July 17, 2011
Saturday, June 25, 2011
Tuesday, June 14, 2011
Carlitos is the ghost and he has a little boy ghost too that lives there with him. There is a whole family of ghosts, actually. They all live in limbo.
I would like to live in limbo too with them in the stairwells in El Balcon, but only if a stark black nothingness really is death. I could at least watch the tango show every Sunday, as long as the doors to the building stay open and tourists continue to visit. Really, Carlito's eternal lingering was interrupted much more often in the nineties, in the heyday of El Balcon The Tango House, mostly by loud tapping feet on the wood floor and the amplified sounds of the classical guitar accompanied by the Bandoneón. Carlitos prefers the stairs, where now not many climb, to the balcony that overlooks the square where maybe he was assassinated many years ago when the foundations of the antique neighborhood were still being transplanted by immigrants from Italian barrios from across the Atlantic sea.
Carlitos has a peaceful afterlife now as the restaurant begins its descent into the same place he lives, partial-existence. No more do the tapping feet of dancers keep him afloat all night and through the week. Now with the limited hours, the weeks for Carlitos are sleepy and tranquil while the weekends bring on a subtle party that most don't know about and only find out by employees in the cold weekend street begging them to have a beer at half of the price of any other place in the vicinity. It will be closing soon and Carlitos will have his peace, a long needed peace.
One of the owners told me one day, as I polished the imperfect glassware, that on the terrazza there is a vortex. Where this vortex went, he did not say, but I imagine another dimension of some sort. I stayed away from the terrazza after I learned about the vortex. But he assured me, that the aliens, the ones he talks to, hover above the smaller mountains near Cordoba and usually stay away from the bright lights and the attention of the big city. For this I was relieved, but didn’t understand what this had to with the vortex on the terrazza. But then he went on to say that the Aliens told him that, compounded with his own research, the world would be ending next year. But not quickly like from a comet, more like a social decay, for which he was preparing by buying supplies i.e. dollars, weapons, and tools. But still I didn’t understand the vortex.
What I’m getting at here is that I won’t ever get my chance to witness Carlitos and his family of ghosts with my own two eyes, and I will never accidentally fall into the vortex because I don’t work for El Balcon any more.
Saturday, June 11, 2011
I enjoy Wednesday mornings. It is winter now, but it feels more like fall as I walk out of the apartment to the slight smell of smoke. I can see the yellow haze that comes from somewhere, that hangs above San Telmo, and that doesn’t seem like smog. As I walk down the stairs to the underground, I put the smoke to the past and the stuffy concrete scrawl that is the C-Line becomes my present. I search my pocket for pesos and I pay the peso-ten that it costs and I stuff my self in the tube.
When I emerge, I am miles away from where I started and the smoke is gone and I see the red, blue and white flowers that are being sold outside the train station and, sitting quietly beside is the Chacarita Cemetery. Tall palms guard the entrance to the graveyard and atop the train station large single orange letters read Frederico Lacroze Estacion. They remind me of the Miami Airport in the sixties, at least this is how I imagine airports looked in the sixties. It doesn’t have the turn of the century feel of the other Buenos Aires Train Stations. I walk inside, passed the Pancho and Magazine stands, and I wait in line for my ticket to Villa Lynch. I walk to the platform and board the train.
And then I think about naked girls.